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Hi, In advanced mode, when you have Function ON, is the LFO when is ON also working? independently? thanks

Great series. Steinberg is active with videos but they're mostly tips and tricks and 'making corestep with dj toilet plunger'. People whose learning style is more show (videos) than tell (a manual) aren’t really catered to. So this is important. Thanks and much appreciated.

Very helpful. Question about offline work on a range: Is there a way to later identify what was done in offline processing to a range in an event? And can you return easily to the same range to make changes? I do see the indicator that the target was a range, but don't see how to return to precisely that same range for additional work. Thanks to anyone who can help me understand this.

Man! Love from Russia! I am so proud I ve leaerned English! Honestly, ur tutorial is the best not only in English but I haven't found a better one in my language!!!

It'd have been nice to see if it's possible to copy knob or button rows to a new row or column or something.

Reaktor Blocks is all very well but it isn't a patch (pun intended) on Voltage Modular or VCV Rack. I have all 3 systems and VM is my personal favourite.

Thank you very much. Very detailed explanation. That's super useful!

Thank you!

i'll be happy if I can get it to make sound

Fantastic that you added William Orbit to the list. Scored points for that one, and also Ozric Tentacles by the way. But William Orbit's Strange Cargo is amazing. For a long time you keep hearing new sounds and details every time you play it. Everything somehow fits. Funny thing was that it was released I think in 1992 or 1993. 5 years after that Madonna released her Ray of Light album, and you can instantly hear the magic of William Orbit in it. Madonna may not be your cup of tea, especially live, but Ray of Light is a masterpiece, and Orbit definitely deserves a lot of credit for that one.

Really like the styles, it’s a close as you can get to ‘playing ‘the drums live in a DAW better than any other Drum VST, just wish there were more of them. Pity the other VSTs don’t have this live element, basically your stuck with dropping the midi patterns into your DAW unlike styles where you can play the midi patterns and record them into the daw!

Hi, I'm using Nektar Panorama P4, and my button doesn't lit up when I operate in cubase directly. For example, the solo button. If pressed on my midi keyboard it lights up and cubase also lights up and vice versa to turn off solo. But if I press 'S' key command for Solo, my midi keyboard doesn't lit up that button. Can you please help? Using cubase 13.

I was going to comment this on one of your previous videos but why is the mic quality so bad? It sounds like you are recording these in a public bathroom. It's hard to take audio advice seriously when the voice sounds this poor.

Dude...your hands are perfectly normal size...

Compare - I have a 45mm thumb, 55mm pointer, 64mm middle, 63mm ring, and 45mm pinky.

Very clear, thank you very much

Thanks !! So, if I understand correctly, you can choose a kit because you like the sound it offers, but select different styles (patterns)? I don't quite understand how this works...

Thanks for your tips, my fingers are even smaller than yours (my middle finger is only 6cm), and I've been on the verge of throwing in the towel out of frustration that even simple chords require ages to get right. Hopefully with this advice I can still continue on

Hi! Question: Using download manager I downloaded & installed some sound packs that I decided NOT to purchase. I tried deleting the packs but now I have references to the deleted packs in the media bay i.e. my searches include preset/audio file names next to a RED dot with a dash in the middle...maybe indicating missing? How can I get rid of these references to the deleted sounds?

❤❤❤❤❤ thanks,,me small fingers 🤞😊😊😊😊

Thank you for this video. Just a small question : do these effects support 'Constrained delay compensation' in Cubase ? I think that very few of Arturia's vst3 instruments or effects support this Cubase feature ?

So technically, if you use all the harmonia oscillators on all 4 layers in all 8 parts, you could have 128 oscillators running. I'd love to see what Hans Zimmer could do with that! 😂

I really dig the exciter

Thanks for the insight, Anthony. Have you ever seen the Show Pitch Detection Curve show up on the Sample tab's toolbar? There are a few items mentioned in the manual (page 118) that I was not able to find or make use of in the Sample tab here.

Seems a bit underwhelming with only 2 new plugins. I know it's technically 4, but the other two have been out for a minute.

I was actually looking at buying this collection just because i like the Arturia V Collection X so much - and now they launch a version 5 and have a intro sale for old customers? Yes pls - i really like the Arturia plugins

Thanks a lot Anthony. For me, still, I use my ears all the time, because the variations of the velocity of the sounds makes the difference. And this is just hardly be seen in the drum editor. Cheers

I found Amplitube to be useless for overdrive sounds as well. I have not used my version in years.

Wow, this was a great tutorial! I'm still new to Cubase, though I'm an experienced DAW user coming from Logic and before that Ableton. Both of those have file browsing systems but much simpler - very limited support for rating, tagging, and sorting. Mediabay is vastly more powerful than I'm used to, but admittedly quite intimidating and overwhelming at first when you open it up- especially when you're used to a rather simple text-based search. But this tutorial put me at ease and clarified many of my questions. Also I can relate so much to what you said at around 1:35 about losing entire months of your life at sorting and rating - when I first started in production I considered it my responsibility to listen to, tag, and organize every synth preset and sample library I owned. I would go through drum loops and meticiulously add their tempo manually, and find the key to tonal loops. I believed it was something I had to do in order to create music. After a few months of this and realizing it truly is a Sisyphean task, with tens of thousands of presets and samples ahead of me - I decided it was best to just do it on a case-by-case basis. But I understand that urge as an incurable sorter 🤣 Anyway, thanks again and cheers!

I had no idea that I should be looking for different ways to play a chord. I just figured that with time I could do it. Thank you for helping me see this. By the way. Your favorite F position- I right away heard Bread's "Make it With You" :)

Thanks

Great informative video, with loads of helpful workflow and process ideas. Thanks again.

Acoustic is a totally different game with small hands . I play my Gretsch and tele just fine . Both electric. Playing my Martin acoustic takes some serious good form . Open tunings like a Keith Richards stuff are are great . He never plays the bottom string lately . But I keep another good acoustic in standard tuning and if I am capoed up to play lstuff like here comes the sun etc . I get both . I don’t like capoing the true sound of my Martin .

Great video ! It addresses many issues small hands come up against .

I have played since I was really young, small hands . Don’t try to put your thumb on top like Hendrix as he said ! Get your thumb onto the back to secure your fingers . I can bar anything . In my 60s after taking bad advice for some arthritis , and rested them I regret it . I’m playing in shorter time increments and getting my stretches back . In the end some songs will just be harder got small hands and maybe revoice the chord position . I’m a jazz pianist by a miracle ! 😂

I have played since I was really young, small hands . Don’t try to put your thumb on top like Hendrix as he said ! Get your thumb onto the back to secure your fingers . I can bar anything . In my 60s after taking bad advice for some arthritis , and rested them I regret it . I’m playing in shorter time increments and getting my stretches back . In the end some songs will just be harder got small hands and maybe revoice the chord position . I’m a jazz pianist by a miracle ! 😂

I just wanted to add some kudos. Not only do you have a massive quantity of tutorials, but your excellence in explaining the concepts is phenomenal. How you find the time to even learn the instruments in the first place is beyond me. You must be a genius. And seeing that you chose Cubase gives me confidence that I also made a good choice of a DAW after Sonar went away.

The dongle will still work with your older products after they stop supporting it. Steinberg made that very clear. Weird every ones freaking out & making a big deal.

This is great stuff Anthony. Is there a way to locate all of the midi for a particular style on our hard drive that can be dragged into the project to start the master track of all of the parts? Sure would save some time.

Thank you. I have very small hands. I get that even kids can outplay me, but being comfortable as an adult makes a huge difference for wanting to play and not fighting the guitar. Scale length is also an issue for smaller players. . My pinky is only 50 mm so in addition to small fingers, they are poorly mounted. My index finger is 12 mm lower than my ring finger against the middle finger. and my pinky another 22 mm lower than my ring finder. It is not very uniform and makes many tasks harder that would otherwise be easier with fingers of very similar length. I bought a junior strat 22.5 inch or so inches 560 mm or close to it. I found this small guitare easy to play, but then there is string tension issues and stability of tuning because they are cheap guitars for kids. I would love a nice mid range 700-1000 CDN- (500 pound or so) guitar that is better built than a kids "learning" guitar. Tried a mustang but the offset felt weird , SG seems like the shorter gibson scale still goes on for miles. One day i will be able to buy a shorter scale well built guitar that I don't have to pay a custom shop thousands so I can play and learn easier.

Excellent. Very methodical way of working. Probably slightly off the intention/scope of your GA5 tutes, but how do you select a 'good kit' for a song to begin with? Does kit tuning and EQ figure? Or do you just use the experience of your ears? I find choosing a style a nightmare using GA5.

Excellent. I've been struggling with this too. Always load a new instance of GA now.

Three shalt be the number thou shalt count, and the number of the counting shalt be three. Four shalt thou not count, nor either count thou two, excepting that thou then proceed to three.

Wonderful explanation. I am in the process of trying to use Groove Agent in my compositions, so this is very helpful. Thanks.

Just want to thank you. You are masterful, know how to teach, and your articulation is clear .... I so appreciate it.

Thanks Antony, great video. Super informative, and it's a good idea to break out the full style like that. I'll have to give it a try myself.

Always sooo worth the time to watch your informative videos. Keep up the good work and thank you!

Antony, I cannot thank you enough for your amazing tutorials, especially the ones on groove agent. I have not seen any other tutorials that go into the depths yours do. Your tutorials are unique and so chocked so full of information you need to watch many times to take it all in! Maybe it's just me that's going a bit senile. 🤣 thank you for the time you take to make these videos.

Hi Anthony. Thanks for this video. I have a question related to the next step operation. I've noticed in my audiotracks that the shape of the audio track changes after time correction if you bounce it. In some case, a note changes from a peak of -2.5 db to a peak of -1 db. Do you know why is that and how to avoid it?